That Drifting Excrement Was Far Too Symbolic! These Are the Television Letdowns of the Year.
Looking back, we consider the television landscape of the recent year, a selection of series stand out not for their brilliance, but for their notable shortcomings. Ranging from cringe-inducing spin-offs to confusingly bad docuseries, here are the productions that had us scratching our heads or simply reaching for the remote.
The 'Sex and the City' Sequel
Where to begin with this divisive follow-up? Burdened with dreadful writing, painful arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show struggled to justify its existence. Briefly, as the third series started, it seemed as if it had finally found its groove. Then came an installment centered on Seemaâs natural deodorant. No wonder the showrunner announced this would be the last series. It concluded on a bum note; the closeup of Mirandaâs toilet flooded with poo was just way too symbolic. Yet, fans undeniably found joy picking apart every single âwhat on earth?â moment. And as Carrie â a single woman once more â twirled around her sprawling townhouse to Barry White, who couldn't release a small sob?
Allâs Fair
âCan Kim Kardashian act? The answer is a resounding no.â
But that was almost the smallest of this drama's issues. The subject of a very rare no-star review, it was difficult to know where to start enumerating the problems. The laughably leaden dialogue? The tedious glorification of wealth and materialism? The almost deliberate procession of cliches? Acting so poor they felt almost spiteful? Suffice it to say âeach and every oneâ and forget about this series again. However, a new season has been ordered, so weâre likely going to have to.
AKA Charlie Sheen
Given the restraining orders, domestic violence allegations and fatherly failures, itâs fair to say Charlie Sheen has been a bad boy. Not youâd truly have known it from this three-part documentary which chuckled along at Sheenâs various episodes of self-destructive hedonism while failing to tell us anything we didnât already know. Instead, it felt as if this loose cannon was being indulged, so any pity this show might induce should be reserved for the people who have had to endure close contact with this charismatic but flippant egotist.
The Supercomputer Drama
Naturally we knew it was ridiculous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either solve global crises â or destroy all of humanity. We persevered out of sheer admiration for its stars ⌠but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately slicing Charlie with an axe ⌠in super slow-motion. That's what you call admitting defeat.
The Gangster Drama
Dodgy figures meeting in deserted boxing gyms? The Prodigyâs Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.
In truth, that is harsh on the gangland dramas of the late 90s. Many look a bit old-fashioned now, but at least they didnât suffer the embarrassment of having to accommodate baffling accents. But there were plenty of other issues. Primarily that it was just really boring; a conflict over drug-selling territory between various London picaresques which felt rather simplistic.
With Love, Meghan
Considering the degree to which she provokes the ire of the nationâs performatively enraged commentators, itâs temptingly easy to applaud the Duchess of Sussexâs televised ventures into quaint lifestyle as deliberate provocations. But then you view them and are compelled to admit that actually, they may have a point. Itâs like watching a homeware magazine come to life; a meme for evening drinks with delusions of grandeur; a parade of snoozing dogs, buzzing beehives, sentimental sayings and forgettable crafting âhacksâ youâll forget instantly. All underpinned by vast, mostly undeserved wealth. Ugh.
Victoria Beckham
There are clearly interesting things to be said about both Victoria Beckham and her struggles with career, self-image, self-worth. But for some reason, this documentary series opted not to explore them. Rather, the experience was like reading a marketing brochure. She clearly has good reason to resent what she describes as her âsternâ image. But sadly, she failed to do herself any favours with this cagey letdown of a series.
The Inheritance
It should have been the next big hit â except even camper, with a glamorous star as a deceased benefactor and a well-known personality managing her inheritance. What more could you ask for? As contestants competed, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: itâs still too confusing to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up reeking of a production that was trying way too hard to emulate something way beyond it.
The Lena Dunham Romcom
How does one follow a show that defined a generation? The expectation was immense for this starry romcom about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic notions. But it was all very slick and, ironically, was not enough. Plus, the sheer amount of celebrity friends involved felt icky.
Mitchell & Webb Are Not Helping
Not even good enough to be âunevenâ.
Given the smart inclusion of talented emerging comics, hopes were high. But unhappily, most of it fell flat. A particular sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known irate mode. The behind-the-scenes sketches, in contrast, simply provoked the thought that they should probably have stayed in there a while longer.
The Twisted Tale of Amanda Knox
This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this isnât it. The material needed to be treated sensitively. Rather, the series struggled painfully to find the right voice, lurching from strangely jaunty, slightly stylised farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Very much so.
Prime Target
We love the lead actor ⌠but did we believe him playing the most brilliant maths genius since, a man so smart heâs on the brink of a discovery that could ruin society? Nope! This globe-trotting thriller about secret services spying on â and eliminating â academics honestly got more absurd by the second. Formulaic nonsense.
1000 Men and Me: The Bonnie Blue Story
This uncritical portrait followed the online personality renowned for explicit escapades as she prepared for her biggest feat yet. What on earth would motivate her? What we wanted was far greater interrogation of her actual psyche, plus those of the men in the line. They could at least have interviewed the now-famous mum who showed up to drag her son out of the queue. What we got was disturbing shots and zero interrogation of her notoriety whatsoever. And to think, the documentary-maker has a young daughter too.